冰锋

冰锋

第24集

6.0 |02月06日 |第54集完结
简介:

九一八事变爆发后,留学日本的青年沈云回国效力,却遭遇沈家被日本人竹上灭门的惨剧,而沈云也被日本人陷害入狱,死期不远。为了复仇,沈云假死逃过一劫,忍痛和初恋吴楚琳分手,并改名华明翰,加入中统,与救命恩人兰亭舒扮演假夫妻、收养十岁女孩晶晶后去往上海执行潜伏任务。七年后,华明翰表面上是上海租界巡捕房的总探长,实则是让日本人闻风丧胆的“冰锋”,他带领华兴社成员周旋于波诡云谲的局势中,粉碎了日本人在华的重重阴谋。与此同时,朝夕相处的兰亭舒爱上了华明翰,而华明翰心中却只有吴楚琳。然而,当吴楚琳再次出现认出他就是昔日恋人沈云时,为了大义,他只能再一次推开吴楚琳。直到吴楚琳被日本人炸死,他才知道她就是一直报道冰锋事迹的记者曙光。祸不单行,养女晶晶和兰亭舒先后在抗日行动中牺牲,华明翰亦得知兰亭舒的真实身份是共产党,对国民党彻底心死的他毅然退出中统,带领华兴社加入新四军,开始了新的抗日征程。

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简介:Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye.  It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.  And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).  Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.  And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
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简介:

在1930年代,当时世界被战争而分裂,人类处在激情与痛苦当中。导演理查德·隆克瑞恩巧妙地将故事中的狡诈、阴谋、残暴,与当代法西斯象征主义结合在一起。伊安·麦克莱恩演出理查三世,他欲夺取兄长的王位,谋杀、骗婚、歼灭亲族无所不用其极,这样强烈的欲望,驱使他永无止尽的毁掉周遭的人。   影片是根据莎士比亚的名剧《理查三世》改编而成的,但是影片将故事发生的时间背景由原著中1483-1485年转换到1930年。将莎士比亚的剧作移植到其它年代,是电影人常常做的事,但是却不一定每次都做的好。难能可贵的是,这版《理查三世》不但以睿哲的智能改编了这部剧作,并且在不破坏莎翁美丽的词句下,为此剧注入现代的活力。

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