荣誉至上
8.0 |02月04日 |更新HD
简介:

清末民初,国内军阀拥兵自立,群雄割据。在众多势力中以广东军阀雷洪最差,钩结外国势力,出卖中国情报。国内义士无不想杀之而后快。上海精武会派又廷到广东刺杀雷洪。神庙刺杀雷洪失败,蒙脸的又廷遇见青梅竹马的秀慧 ( 雷洪的妾待)。又廷和义父两人受伤败走。为了义父的药费,又廷迫于无奈,参加雷大帅的地下拳赛。与此同时,郭天派迷踪拳高手唐傲参予赛事,目的刺杀雷洪,可惜都失败而逃。   日本皇军代表山本一郎到达,雷洪全府上下迎接。但原来山本到中国的目的是要接管雷洪的一切,甚至他的妻妾。雷洪得知怒不可遏。雷洪在晚宴于秀慧的饭菜下迷药,秀慧歇斯底里的杀了山本,雷洪成功借刀杀人。却预料不到秀慧居然从山本的文件中撕了一部份离开雷宅。   秀慧跑到码头见又廷。她把文件交给又廷时被徐达从远处开枪击毙。雷洪取秀慧尸首举行正规丧礼,邀郭天等人出席,想把他们一网打尽。丧礼当晚,雷洪本胸有成竹...

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主演:Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev
简介:Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye.  It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.  And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).  Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.  And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
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主演:安东·沙金,奥莎娜·阿金什那,叶夫根尼娅·希里夫斯卡娅,马克西姆·马特维耶夫,Igor Voynarovskiy,叶卡婕琳娜·维尔科娃,Konstantin Balakirev,Aleksandr Stefantsov,Georgiy Sivokhin,奥尔加·斯米尔诺娃,Yanina Melekhova,伊琳娜·罗扎诺娃,谢尔盖·加尔马什,奥列格·扬科夫斯基,列昂尼德·亚尔莫利尼克
简介:

讲述在莫斯科50年代一群年轻人为了听另类的音乐、穿另类的服饰、坚持独特的方式而寻找自我和与社会抗争的故事。   影片开头讲诉的是50年代的前苏联一群叛逆的青年想要自由,和别人不一样,在大环境下显示出鲜明的对比,画面色彩部分尤为强烈,随着剧情的深入,这种封闭的社会和开放的意识形成强烈的冲突。男主角的改变到对女主角的爱加上朋友之间的感情,父亲对孩子的支持理解,让影片有一种浓浓的人文关怀,导演在优美的歌舞中传达着对那个年代的自我封闭一种反抗,不过不失,不卑不亢,彰显功力,镜头的运用,剪切的手法均属一流,歌舞桥段也保留着俄罗斯的风格,对爵士音乐的渲染也体现了追求自由的深度。   俄罗斯一直盛产美女,影片中的女主角们都十分养眼,Oksana Akinshina和永远的莉莉亚那个时候比只是成熟了许多,并没有太大的改变。   谁都曾经青春年少,电影中部分情节点出了人始终要成长...

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