古墓诡棺
5.0 |02月10日 20:07 |更新HD中字
简介:
一夜前朝国师陵墓被盗,丢失墓中珍宝飞鸢珠,奉命镇守陵墓的锦衣卫天城玩忽职守被治罪,危难之际他向千户大人请求戴罪立功,三日之内必将宝物寻回否则甘受惩罚。天城探查宝物踪迹结识摘星楼花魁,二人几次交锋后天城隐约感觉飞鸢珠的丢失与摘星楼有千丝万缕的关系,但摘星楼与东厂宦官势力有错综复杂的联系,一时间天城对摘星楼束手无策。与此同时六扇门捕头探查城中少女失踪案与天城的飞鸢珠被盗案线索汇聚到了一起,俩人最终判定两起案件都与东厂势力相关。天城和六扇门捕头奉命缉拿督主一场恶战,无奈对方武功高强危难之际花魁挺身而出与督主同归于尽,案件最终真相大白,天城向千户大人复命完成三日戴罪立功之约。
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简介:Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye.  It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.  And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).  Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.  And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
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