吉屋出租:百老汇剧场版
5.0 |02月04日 |更新HD中字
简介:
《吉屋出租》这部摇滚音乐剧在2006年的3月1日成为百老汇史上第七长寿的剧码,同时获得东尼奖及普立兹奖的肯定。这出音乐剧改编自普契尼的歌剧《波希米亚人》,剧情着重于一群穷困的艺术家和音乐家,即使在爱滋病的阴影下(在“波希米亚人”中是肺结核)仍在纽约的字母市挣扎努力生存。  这出音乐剧的原声带是美国音乐剧界近三十年来最成功的录音,计有一套双碟的完整版,包含一首由史提夫·汪达演唱的混音版“Seasons of Love”,还有一套仅单张的精选辑。  《吉屋出租》是百老汇音乐剧中,率先把同性恋、双性恋及跨性别等议题搬上舞台的,之前只要是触及这些议题的制作,都被归类至外百老汇(仅《一笼傻鸟》例外)。  本片是2008年9月7日吉屋出租在百老汇演出的最后一场现场录制。
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主演:Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev
简介:Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye.  It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.  And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).  Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.  And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
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