海峡

海峡

第21集

6.0 |02月06日 20:42 |第34集完结
简介:

1949年秋天,人民解放军挺进东南,占领福建。国民党军上尉参谋罗进及其家人随败兵车队撤往沿海,途中车队遭受伏击,罗进与妻子刘小凤和出生不久的女儿于战场失散。伏击车队的解放军连长杜荣林下令把战场上拾到的女婴送附近农家收养。后来,他收养了这个女婴。杜荣林一直坚守于海防前线。剿匪期间,他负重伤,与医生秦秀珍产生感情并结婚,那个年代特殊的生活经历使杜荣林和养女杜山感情深厚。后来,杜荣林重返海防部队,杜山考上大学,杜家重现生机。其间杜荣林一直搜寻罗进,想搞清楚其与自己家庭的种种缘由,但是一再失之交臂。改革开放时期,随着两岸关系的发展,罗进父子以台商身份到大陆投资,罗进最终了却心愿认女。杜荣林经受认女冲击和家庭变故,却襟怀宽大入情入理。部队整编后,杜荣林解甲归田离休,住进干休所,他关注海峡,至死不渝。

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简介:Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye.  It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.  And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).  Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.  And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
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