新情义无价
6.0 |前天21:10 |第40集完结
简介:

三十年代上海。回上海休假的南京警官学校大学生韦康和美丽的青年女子何雨晴在街边邂逅,两人都对对方留下了好感。不料,几天后,何雨晴的父亲竟成了韦康的杀父仇人。一对正直而善良的年轻人经历着情感的煎熬。何雨晴是个红歌女,初识为她解围的亚福公司的大公子钟凯强。他的侠义、潇洒,给何雨晴留下印象。钟凯强一个很特别的富家子弟。表面看来他是个不务正业的纨绔子弟,实际上他内心善良热情,珍惜亲情和友情。他爱何雨晴,但是他的爱情理念是“爱她,就是要使她快乐”,因此,当他发现何雨晴和韦康之间的情感由恨渐渐转变为爱后,他主动克制自己的感情,选择退出。他本来视韦康残疾的妹妹韦云如自己的妹妹,对她同情关怀,但是当韦云深深地爱上他以后,为了彻底斩断与何雨晴的情丝,他毅然决心和韦云结婚。

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简介:Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye.  It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.  And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).  Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.  And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
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简介:

讲述在莫斯科50年代一群年轻人为了听另类的音乐、穿另类的服饰、坚持独特的方式而寻找自我和与社会抗争的故事。   影片开头讲诉的是50年代的前苏联一群叛逆的青年想要自由,和别人不一样,在大环境下显示出鲜明的对比,画面色彩部分尤为强烈,随着剧情的深入,这种封闭的社会和开放的意识形成强烈的冲突。男主角的改变到对女主角的爱加上朋友之间的感情,父亲对孩子的支持理解,让影片有一种浓浓的人文关怀,导演在优美的歌舞中传达着对那个年代的自我封闭一种反抗,不过不失,不卑不亢,彰显功力,镜头的运用,剪切的手法均属一流,歌舞桥段也保留着俄罗斯的风格,对爵士音乐的渲染也体现了追求自由的深度。   俄罗斯一直盛产美女,影片中的女主角们都十分养眼,Oksana Akinshina和永远的莉莉亚那个时候比只是成熟了许多,并没有太大的改变。   谁都曾经青春年少,电影中部分情节点出了人始终要成长...

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