青山不墨
2.0 |02月10日 21:28 |第34集完结
简介:

以马永祥、郑毅、魏建中、华青为代表的林区工人、干部、知识分子和家属勇于面对三年自然灾害的巨大生存挑战,完成了由原始方式伐木到机械化木材生产的历史转变。在解放思想、大胆突破的林区改革时期,马永顺、魏建中、华青、马宝峰、林绍涵等勇于探索、勇于突破,大胆闯出了一条林区发展的新路子,同时发展与保护的尖锐矛盾也摆到了他们面前。在令人痛彻心扉的林区危困转型时期,林业企业在“越穷越砍、越砍越穷”的怪圈里挣扎,艰难境况下,马永顺、魏建中、华青、马宝峰、林绍涵等在与超采、滥砍盗伐、毁林开荒现象的斗争完成了由伐树到护林育林的历史性转变,成为保护森林资源的新一代林业工人。半个世纪风云变幻,三代林业人浴火涅磐,小兴安岭林区呤唱感动大青山的创业、改革、转型三部曲 。

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简介:Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye.  It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.  And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).  Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.  And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
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