我在他乡挺好的
8.0 |02月10日 21:14 |第12集完结
简介:

从小聪明上进的乔夕辰一路从小镇考到北京上学、工作。她工作勤恳踏实,日常精打细算,生活得有滋有味。好友胡晶晶突然离世,打破了她平静的生活。乔夕辰与一起长大的闺蜜许言、胡晶晶的表姐纪南嘉共同面对胡晶晶的离去,带着对她的怀念继续生活。乔夕辰公司空降领导简亦繁,并宣布裁员,同时她负责的项目突发状况,在自己的努力和同事们的帮助下,她顺利渡过难关,并与简亦繁走在了一起。原上司回归,乔夕辰被调离核心岗位,她不急不躁,做好本职工作,还找到新的事业方向。纪南嘉的公司因市场需求变化产生运营危机,她从生活中挖掘新商机,走向事业新高峰,同时收获真挚爱情。许言为了本地男友留在北京,却因消费观念差异与男友分手,她最终醒悟,摒弃对浮华的追逐,寻找真正的人生价值。三人都明白了乐观拼搏、勤恳踏实的意义,走向了新生活。

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简介:Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye.  It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.  And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).  Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.  And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
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她寻找故园,她寻找爱情。她面对种族隔离和监管传媒的父亲,一直不断斗争。南非领袖尼尔森曼德拉曾在他第一次对南非议会的演说中朗诵她的诗作:《尼昂加死去的孩子》,并称赞她是南非最优秀的诗人。   奥斯卡女导演葆拉凡德奥斯特最新力作,描述南非女诗人英格丽琼蔻(Ingrid Jonker)在种族隔离时代对抗体制的传奇一生,也带出她与情人(尼恩康尼翰 饰)和父亲(鲁格豪尔 饰)之间的爱恨恩怨。英格丽琼寇是南非著名的女诗人,她的童年坎坷悲惨,却在写诗创作方面具有惊人的才华。由于丈夫任职南非旧政府,两人因对种族隔离看法分歧、导致婚姻破裂,并进而使抑郁的她最后选择了投海自尽,年仅32岁。   英格丽琼蔻身后留下了一个7岁女儿及诸多感人作品,其中最负盛名的即为诗集《黑蝶漫舞》。1994年,当南非总统曼德拉自监狱获释时,他在全世界瞩目的就职典礼上,就高声朗诵了深得他心的英格丽琼蔻...

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